Review of Banksy cultural outlaw
DOI:
https://doi.org/10.48619/gsa.v3i2.A1280Keywords:
Banksy, street art, Stencil Practice, Urban Culture, Art and CommerceAbstract
This review examines a comprehensive and detailed monograph on Banksy, one of the most elusive and influential contemporary street artists. The book provides an in-depth exploration of Banksy’s career, artistic techniques, thematic preoccupations, and commercial strategies, spanning his early work in Bristol, his international interventions, and major exhibitions such as Dismaland and the New York residency. Special attention is given to his stencil practice, preparatory sketches, and the dynamics of audience engagement, including fans, collectors, and critics. The review highlights the book’s fluid writing style, rich visual documentation, and analytical approach, while noting occasional organizational and image-placement inconsistencies and a partial reliance on native-English idiomatic references. Despite these limitations, the book offers rare insights into Banksy’s creative process, collaborative team dynamics, and negotiation of public, commercial, and legal spaces. The review concludes that this work is a significant, well-supported, and highly engaging reference for scholars, practitioners, and general audiences interested in street art, contemporary urban culture, and the intersections of art, commerce, and social commentary.