Review of Banksy cultural outlaw

Authors

DOI:

https://doi.org/10.48619/gsa.v3i2.A1280

Keywords:

Banksy, street art, Stencil Practice, Urban Culture, Art and Commerce

Abstract

This review examines a comprehensive and detailed monograph on Banksy, one of the most elusive and influential contemporary street artists. The book provides an in-depth exploration of Banksy’s career, artistic techniques, thematic preoccupations, and commercial strategies, spanning his early work in Bristol, his international interventions, and major exhibitions such as Dismaland and the New York residency. Special attention is given to his stencil practice, preparatory sketches, and the dynamics of audience engagement, including fans, collectors, and critics. The review highlights the book’s fluid writing style, rich visual documentation, and analytical approach, while noting occasional organizational and image-placement inconsistencies and a partial reliance on native-English idiomatic references. Despite these limitations, the book offers rare insights into Banksy’s creative process, collaborative team dynamics, and negotiation of public, commercial, and legal spaces. The review concludes that this work is a significant, well-supported, and highly engaging reference for scholars, practitioners, and general audiences interested in street art, contemporary urban culture, and the intersections of art, commerce, and social commentary.

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Author Biography

Pedro Soares Neves

Pedro Soares Neves (PhD), 1976, Lisbon. Multidisciplinary and post graduate academic training in design and architecture (Barcelona and Rome), and Lisbon University scholar. Specialized in participatory methodologies and informal visual signs in public space (eg, Graffiti and Street Art). Lecturer and urban designer / consultant at metropolitan and city scale (eg, project CRONO), co-responsible for adapting to Lisbon's exhibition "The Street Belongs to all of us" (IVM, Françoise Asher) and winner of the first prize for the “No Rules Great Spot” Oporto. Co creator and professor of “Non commissioned Public Art” workshop and scholar in Science and Technology Management in Faculty of Fine Arts University of Lisbon. Founder of the AP2 (Portuguese chapter of IAP2, International Association for Public Participation), APAURB (Portuguese Urban Art association), and of the Lisbon Urban Creativity Conference and ongoing associated International Research Topic (urbancreativity.org). Editor of the Urban Creativity Scientific Journals (journals.ap2) among other books.

Published

2025-12-23

How to Cite

Neves, P. S. (2025). Review of Banksy cultural outlaw. GSA - Graffiti and Street Art, 3(2). https://doi.org/10.48619/gsa.v3i2.A1280